思維形態

Thought forms

1/22

你們這些看似平庸的人,可能還不太明白構築新現實與構築新自我之間有何不同;因為無論哪種情況,你都在創造新的電影膠卷與新模型(mannequin)。不久後,你便會明瞭。

You, my boring ones, probably don’t quite understand what the difference is between composing a new reality and composing a new self. For in both cases, you compose new film rolls and new mannequins. You will understand soon though.


2/22

注意觀察你在他人身上欣賞的特質。

Take note of what you admire in other people.


3/22

把他們的整體狀態和自我感,作為一種投射來借用。

Adopt their general state and sense of self as a projection.


4/22

在這種狀態下,表現得就像你已經擁有了所追求的一切。

In this state, behave as you would as if you already had what you strive for.


5/22

活在這種狀態中,真切體驗這份感受,並逐漸習慣它。

Live in this state, live the feeling, grow accustomed to it.


6/22

除了從玄學層面砥礪自我,也要在物質層面上重塑自己。

Along with the metaphysical work, create yourself on the physical plane too.


7/22

在當前的局面中,盡你所能去達成你的目標。

Do whatever is required to achieve your goal in the current frame.


8/22

一旦你踏上自我成長的道路,所有疑問的答案自然會浮現。

Once on the path of self-development, the answers to all your questions will come to you.


9/22

透過構築一個全新現實的圖像,你為即將到來的幀注入光芒;在這裡,現實運作猶如電影膠卷。藉由模仿你那新模型(mannequin)的典範,你構築出一個倒影,進而轉變成主體的圖像,此時現實就如同一面鏡子。無論是圖像構築還是模仿過程,都必須採用辮編(plait)技法進行。

By composing an image of a new reality, you illuminate the forthcoming frame. Here reality works like a film roll. By imitating an example of your new mannequin, you compose a reflection, which then flows into an image of the subject. In this case, reality works like a mirror. Both the image composition and the imitation process should be carried out using the plait.


10/22

只有現實需要刻意規劃——每天撥出專門時間數次練習,但切勿讓它成為一種負擔。在模仿過程中,你要真切體驗角色,可先虛擬、嬉戲、感受進入全新角色,同時保持認真與持續。如果偶爾忘記運用辮編(plait)也無妨;最重要的是你要活出這個角色,就像演員在電影拍攝前所做的一般。

Only reality should be composed purposefully, by setting aside special time, several times a day, although without letting it become a burden. In imitation, you live it. Fake it, play with it, feel your way into your new role at the same time as taking a serious approach and being consistent. It does not matter too much if you forget sometimes about the plait; the most important thing is that you live the role, just as actors do prior to a fi lm shoot.


11/22

當你進行這些練習時,要開放心態接納有關你新模型(mannequin)與新現實的資訊,同時在當前條件允許下,無論是在現實中還是在你的思想與視覺化中,都嘗試扮演這個新角色。你可能會發現某些心智構造(思維形態, Thought forms)對你大有裨益,務必儘可能頻繁地向自己重複這些肯定語。

When you’re doing this, be open to allow in information concerning your new mannequin and new reality and try yourself out in this new role, as far as circumstances will allow, as well as in your thoughts and visualisations. You may find certain types of mental construct supportive, i.e. thought forms, which you should repeat to yourself as often as possible. For example,


12/22

< 我是我領域中獨一無二的高階專家。我的服務極受追捧,我從工作中獲得無比的愉悅,我的貢獻備受珍視,每件事我都處理得極為出色。 >

< I am a high ranking specialist unique in my field. My services are in great demand. I derive much pleasure from my work. My contribution is highly valued. I do everything brilliantly. >


13/22

< 我並不外出工作,我專注於家庭、家人與孩子。作為妻子和母親,我是億中無一;我的丈夫深深愛著我,孩子們崇拜我,而我也全心愛護並照料他們。我們家充滿溫馨和喜悅,我帶給大家滿滿的歡樂。 >

< I don’t go out to work. I focus on the home, the family, and the children. As a wife and mother, I am one in a million. My husband is in love with me. The children adore me. I also love them all and take care of them. The atmosphere in our home is cosy and joyful. I cheer everyone up. >


14/22

< 我擁有完美的健康,體魄強健、結實且性感。不論年齡如何,我始終擁有二十歲般的身體,因為這正是我所決定的。我感覺極好,充滿活力,擁有強大的能量場。 >

< I am in perfect health. I have a strong, toned, sexy body. It doesn’t matter how old I am. I have the body of a twenty year old and I always will have. I will always be twenty because that is what I have decided. I feel amazing. I have high levels of vitality and a powerful energy field. >


15/22

< 我是一個極具魅力的人,身上散發著一種玄學般的光芒,吸引著周圍的人。他們感受到這份獨有的魅力,我自有一股個人韻味,通常被認為是一個非常有魅力(charismatic)的存在。大家都喜歡與我相處,我帶來歡樂與慶典的氛圍,眾人為之著迷。 >

< I am a very charming individual. There is a certain metaphysical glow about me. People sense it and are drawn to me. I have my own individual charm. I am generally a very attractive (charismatic) person. Everyone enjoys my company. I bring with me a feeling of joy and celebration. People are drawn to me. Everyone likes me. >


16/22

你可以根據個人品味和情緒撰寫類似的思維形態(Thought forms),啟動辮編(plait)技法,無論大聲朗誦或默念皆可。同時,盡量以這些肯定語相符的方式行事,儘管你明白這只是一場遊戲——不過是一場認真且持續的遊戲。同時提升自我,並努力在物質層面實現你的願景。全面成功來自於三重行動。

You can write thought forms like this to suit your taste and mood. Activate the plait and say them aloud or to yourself, it doesn’t matter which. At the same time, try to behave in a way that correlates to the affirmations, even though you are still aware that it is a game, albeit a serious one. At the same time, work on yourself, and achieve conformity with your vision on the physical plane. Total success is achieved via triple action.


17/22

像魅力、機智、智慧、自信與天賦這類品質,僅以頭兩種行動便相對容易展現;但涉及肉體層面的特質則較為複雜,此時你必須聚焦於第三重行動。

Qualities like charm, wit, intelligence, confidence, and genius, are relatively easy to manifest with just the first two types of action. When it comes to physical attributes, things are a little more complicated. Here you have to focus on the third type of action.


18/22

值得記住的是,外在吸引力在很大程度上取決於那些你曾視為缺陷的內在品質。自卑情結常在人的面容和體態上留下明顯痕跡;隨著某些美德的養成,這種情結將逐漸消散,你會發生如此巨大的變化,甚至使得人們開始難以認出你來。

It is worth remembering that physical attractiveness largely depends on the inner qualities, which you consider shortcomings that gnaw away at you. Inferiority complexes leave a very noticeable imprint on a person’s face and figure. With the acquisition of certain virtues, the complex will fall way and you will change so much that people will stop recognising you.


19/22

即使面臨身體上的局限,你的模型(mannequin)的體態也能顯著改善,或說,它將轉變為另一個你必須占據的新模型。只要堅持不懈,一切皆有可能,甚至包括逆轉衰老過程。

Even in the case of physical limitations, the body of your mannequin can be significantly improved. Or rather, it will become a different mannequin, which you need to occupy. Everything is possible with due perseverance, including reversing the ageing process.


20/22

某些體質特徵固有於你的DNA,但這絕非全部;DNA無法儲存足以刻畫你所有微妙細節的訊息——它僅決定你的主要特性,比如是人類還是蝸牛,以及區分你與他人基本品質的那些特徵。更恰當地說,你DNA中包含的訊息僅能勉強描述你的胚胎狀態。

Certain physical qualities are built into your DNA but far from everything. DNA cannot hold so much information that it defines all the subtle details of your portrait. Your DNA only de-termines your main characteristics, those that determine whether you are a human being or a snail, as well as the basic qualities that distinguish you from others like you. It would be more accurate to say that, the information contained within your DNA is barely enough to describe your embryo.


21/22

那其餘的一切去哪了呢?對於正統科學來說,其餘部分仍是謎團,因為主流科學不願接受我們所稱之「永恆檔案」(Eternity archive)——那存在於信息空間中的秘密。科學無法解釋和包容所有現象,因為它肩負著從純「科學」角度解釋一切的重擔,對於無法解釋的現象,科學要麼加以否定,要麼選擇忽視。然而,未被解釋的事物並不會因此而消失。

So where is all the rest? For official science, the rest remains a mystery as mainstream science does not want to accept the existence of the information space, which we call the Eternity archive. There is much that science cannot embrace because it has taken upon itself the heavy responsibility of explaining everything from a ‘scientific’ point of view. And what science is incapable of explaining it either negates or ignores. However, things unexplained do not cease to exist.


22/22

那麼,你那「設計」(design)相當大的一部分信息實際上就存於那個信息空間之中,而你也可以修正這個設計。親愛的,你很快就會學會如何做到這一點。

So, a significant portion of the information for your “design” is contained in that very information space. And you can correct the design in question. You will learn how to do this, my dears.


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